FALL 2018 CULTURAL EVENTS

By Sarah Prawl

THIS FALL, IMMERSE YOURSELF IN A VARIETY OF EXCITING EVENTS TAKING PLACE AT OUR VENUES.

From concerts to theatrical performances to art exhibitions, there’s something for everyone to enjoy. Here’s a preview at some of the highlights from the season ahead. While your’e there, you can enjoy GP drinks at one of the intermission bars, or book a meal at one of the cafés or restaurants. 

APOLLO THEATER

Amateur Night

Every Wednesday at 7:30pm

Amateur Night is a must-attend event. Hosted by the comedian Capone, every show is unique, with great music, great vibes and the opportunity to discover amazing new talent. Learn more here.


Phil Lesh & Terrapin Family Band

Friday, September 7 at 8pm

Phil Lesh & Very Special Friends are joined by the Harlem Gospel Choir at this special concert event. Learn more here.


Suze Orman: Women And Money

Saturday, September 15 at 8pm

Ladies, this event is for you! Suze Orman walks us through all of the steps needed to take control of your finances. Learn more here.


Say It Loud: I’m Black And I’m Proud At 50!

Saturday, October 20 at 8pm

Six-time GRAMMY® Award-winning bassist/composer, Christian McBride, spearheads this concert celebrating legendary artists such as James Brown, The Tempations and more. Learn more here.  

ASIA SOCIETY

Exhibitions On View At The Museum:

The Progressive Revolution: Modern Art for a New India, September 14, 2018–January 20, 2019
A landmark exhibition of spectacular oil paintings from the 1940s to 1990s, by members of the Progressive Artists’ Group. At a time of massive political and social upheaval, these artists gave visual form to the idea of India as secular, diverse, international, and united. 

Tuan Andrew Nguyen: Letters from Saigon to Saigon, September 7, 2018–January 6, 2019
A recently acquired series of nine photographs by Tuan Andrew Nguyen.


Asia Game Changers 2018 Awards

Tuesday, October 9 at Asia Society

This special event honors a remarkable group of leaders who are transforming Asia and the world. Learn more here

 

BROOKLYN ACADEMY OF MUSIC

Next Wave Festival

October 3 – December 23

BAM is excited to start kick off its iconic NEXT WAVE FESTIVAL. The festival runs from October 3 through December 23 and comprises music, opera, theater, physical theater, dance, film/music and performance art engagements in the BAM Howard Gilman Opera House, BAM Harvey Theater, and BAM Fisher. Highlights includes works by artists across artistic genres, with new work by artists including Ted Hearne, Sasha Waltz, and Michelle Dorrance

Make sure to stop by the BAM CAFÉ for Cocktails and Small bites before all evening performances in the Peter J Sharp Opera House, led by Great Performances Michelin stared Chef, Saul Bolton. Learn more here.

BROOKLYN MUSEUM

The Norm Restaurant Re-Opens

Friday, September 7

Located inside of Brooklyn Museum, and led by Michelin-starred Chef Saul Bolton, The Norm will re-open for the Fall 2018 Season! Learn more here.


Soul Of A Nation: Art In The Age Of Black Power

September 14, 2018–February 3, 2019

Experience the broad spectrum of Black artistic practice from 1963 to 1983 with over 150 pieces of artwork in this exhibition. Learn more here.


Dance Party: Soul In The Horn

Saturday, September 15

Celebrate the “Soul of a Nation” exhibit at the ultimate dance party filled with horn-infused DJ sets. Learn more here.
 


First Saturdays At Brooklyn Museum

Saturday, Oct 6th

Sponsored by Target, this free art and entertainment event returns! Learn more here.


DapperQ Presents Dress Code

Thursday, September 6

Join dapperQ for their fifth annual queer runway showcase. Explore pop-up shops from some of the evening’s featured designers as we celebrate the start of New York Fashion Week. Learn more here.

CARAMOOR

In Mo Yang, Violin Concert

Wednesday, September 12 at 11am

2014 Concert Artists Guild Competition Winner, In Mo Yang, blesses us with a 45-minute concert  in the Music Room. Learn more here.


Camille Thurman With The Darrell Green Trio (Presented In Collaboration With Jazz At Lincoln Center)

Saturday, Oct 20 at 8pm

Saxophonist and vocalist, Camille Thurman, is set to put on a stellar show in the Music Room. Learn more here.


Omer Quartet (2018–19 Ernst Stiefel String Quartet-In-Residence)

Sunday, November 11 at 3 pm

Join the 2017 Premio Paolo Borciani winners for their first concert in the Music Room. Learn more here.


Molsky’s Mountain Drifters

Saturday, November 17 at 8:00pm

Fiddler, Bruce Molsky, and his team bring the folk tradition to the intimate Music Room. Learn more here.

JAZZ AT LINCOLN CENTER

Spaces By Wynton Marsalis

September 13–15 at 8pm at the Rose Theater

JALC kicks off their 31st season with this visual and audio masterpiece, combining modern dance and big band jazz. Learn more here. 


Abelita Mateus And Friends: Mixed Feelings Album Release Concert

October 2 at 7:30pm at Dizzy’s Club

Rising Brazilian jazz star, Abelita Mateus, performs a special show for her new recording, entitled Mixed Feelings. Learn more here. 


Joey Alexander With Strings

October 19–20 at 8pm at the Rose Theater

Grammy Award nominated Joey Alexander, at age 15, returns to JALC as a headliner to perform original compositions and his favorite jazz classics in solo, duo, and trio settings. Learn more here.


The Jazz At Lincoln Center Orchestra Plays Miles Davis

November 8–10 at 8:00pm at the Rose Theater

Wynton Marsalis joins The Jazz at Lincoln Center Orchestra to perform Miles Davis’ groundbreaking music from the 1940s–60s. Learn more here.

 

SIGNATURE THEATER

Thom Pain (Based On Nothing)

October 23 – November 25

Drama Desk Award-winner and writer Will Eno returns to Signature for Thom Pain , directed by Oliver Butler and featuring Golden Globe Award-winner Michael C. Hall. Learn more here.

WAVE HILL

Fall Exhibitions Opening

Saturday, Sep 8 at 2pm

Meet the artists and curators of Wave Hill’s fall exhibitions! Learn more here.


Cooking Demo: Cooking With Figs

Sunday, Sep 9 at 2pm at the Wave Hill House

Join fruit expert and Senior Horticultural Interpreter, Charles Day, as he schools us on the best fig varieties for containers and offers tips for cultivating figs (Ficus carica) in urban gardens. Learn more here.


Woodland Restoration Volunteer Event

Sunday, Sep 16 at 10am

Join the Wave Hill staff in restoring and maintaining the Herbert and Hyonja Abrons Woodland. Learn more here.

Photo Credits: ©Gulnara Samoilova, ©Judith Rae, ©Amanda Gentile, ©Signature Theatre, ©Jazz at Lincoln Center, ©Asia Society 

MEET ANA REYES - SEAMSTRESS GREAT PERFORMANCES

Rescue & Reuse!

By Liz Neumark and Ana Reyes

IF YOU HAVE EVER BEEN TO THE GP OFFICE, THERE IS A COLLECTION YOU WILL NOTICE: THE DOZENS OF CANVAS BAGS HANGING ON OUR WALLS – EACH ONE FROM A FARMER’S MARKET IN THE U.S. OR BEYOND.

I am a bag lady. This passion merged with another trait – I am allergic to food waste. In the kitchen we aim for full utilization of food (so beet tops are sautéed and eaten; trimmed fish scraps are made into mousse or soup).

Have you ever noticed the sacks that contain rice/potatoes/onions/grains/chicken feed/seeds? They are beautiful!

Bag lady meets food sacks and BINGO – an idea takes root! Convert these intriguing materials into functional bags, skillfully adding a few pom-poms and frills. Ana instantly got the vision. The collection of rescued and transformed food sacks are now works of art.

I am pleased to introduce you to Ana!

ANA, WE’D LOVE TO HEAR YOUR STORY. HOW DID YOU START CREATING BAGS?

I’ve been sewing ever since I was a little child, back in the Dominican Republic. My mom saw my love for sewing and put me in sewing classes when I was 14 or 15 years old. I never thought that I could make a career as a designer because during that time Accounting and Business was “The Career”, so I started studying Accounting in my country and when I came to the US, I received my Accounting degree. That wasn’t my passion though. In 2010, life invited me to go back to investing my energy and time and effortlessly.  After the economy crashed, my position was eliminated and I saw that as a sign to go and do something with my craft. I enrolled in FIT to learn more about the industry and what the business was about. I started to make clothing for designers as a seamstress and felt like that wasn’t what I wanted to, I felt like everything flows when I’m making bags. One day I started thinking, ‘ There are too many bags out there, I need to create a bag that can stand out from the competition.’ So I started making bags out of old recycled jeans and vegan leather and that’s the business that I am in right now. It really is an art, and it comes easily to me because I’m so passionate about it. Being here at GP has really aligned with what I am doing and I love that Liz believed in me and gave me the freedom to use my creativity, and that’s why the bags come out the way they do.

WHAT SIZE BAGS DO YOU PREFER TO MAKE?

I usually go for the size that people can use at the supermarket and I make sure that everything is well made and that the material is strong and durable.

WHAT IS THE PROCESS LIKE FROM START TO FINISH? WHERE DOES THE MATERIAL COME FROM?

These bags all come from the kitchen, they started out as sacks of rice, potatoes, onions, etc. Liz came up with the idea of bringing the sacks upstairs from the warehouse and I sort through them. I look at the colors, and when I see a color that I want to use, I immediately think ‘Oh that’s so beautiful, I want to give some life to this’ and I then I start to put different pieces together. I play with the trimmings and I try to create handles that create harmony within the sacks that I use.

IT’S MORE THAN JUST MAKING BAGS FOR YOU, WHAT IS YOUR PHILOSOPHY?

I believe in the philosophy of recycling and reusing, and Liz and I connected on that level because she shares the same philosophy that I have. So instead of throwing all of this material away, she’s using it. This has a very great purpose because you know how many things we throw out, there’s a lot of pollution in the environment. So in a way, she’s taking care of the environment and I really believe in that. Also, we are creating bags that people can see a story behind.

To learn more about Ana and to see her work, visit her website.

Intro by Liz Neumark
Stories by The Students of CS 61 Elementary

A Note From Liz

I woke up on May 8th with trepidation and headed to East Crotona Park, Bronx, wondering if I would pass muster with the kids.  Would my mathematical abilities (non-existent) be vetted?  Would I need to demonstrate principal-like skills? 

The half day that I spent at CS 61 was enlightening, entertaining, inspiring and completely exceeded any expectations! The young girls and boys had done their homework. Our conversations were peppered with questions about the farm, healthy food, chefs and catering. They were curious about everything and impressed me with their big goals and aspirations. 

The school’s principal, Marjorie Cutler Sanchez, took the helm in September 2017.  She is a smart woman; an excellent administrator, team builder and strategic planner.  Her connection to the community and the students, in just a few short months, is deep and productive. 

It seemed obvious to turn over some newsletter space to Roger, Victoria, Paul, Dylan, Marcus, Roselyn, Aimar, Madelyn, Sidiki and Ethelyn. Enjoy their words and emotions. They restored my faith in the future!

To learn more about PENCIL’s Principal For A Day® click here.

by Paul Martinez

Hi! My name is Paul Martinez. I am a student in 5th Grade who attended C.S.61. Today I’ll be telling you about a meeting I had with a important person. Her name is Ms. Liz. She is 60 years old and she is one of the Top 50 most powerful women in New York. She owns her own company, it’s called Great Performances NYC Catering Company. If you need someone to cook for you like a wedding or holiday you call them and they’ll do it. 

My favorite subject to learn is science because it’s based off of animals, plants, and many living things, the human body and a lot more. I’ll name my favorite animals: wildcats, bears, reptiles, amphibians, and mammals, also water creatures and crustaceans. They are based off of real thing and it’s fun to learn about.

Why Being A Scientist Is So Cool

by Sidiki Diarra 

The reason why being a scientist is so cool is because you can make all kinds of machines. You can also make the future brighter. You can even make gadgets that are useful to other people. Even help people that are in need. A final one is that when you finish your creation you need some test subject so you know if it’s okay and if it’s not try again.

You can make the future brighter by making something that can make any kind of food that you want by asking. Even make an auto-pilot button that can make a car go by itself. You can even put it on a bike, but you have to steer it. If you don’t steer it, it will be out of control. Also make a watch that has video, like Netflix, YouTube etc.

So things that are useful to other people is that when you want to go to some kind of place like the kitchen or the bathroom or bedroom you can put on skate plus shoes which would help you go someplace that you want to go like stores, busses, trains, markets and other kinds of stuff that you can go to. Something that is useful to other people is that book that can read to you and when it’d done you have to read it.

You can even make a wallet that when you don’t have any money you can ask ‘can I get more money please?’ Then it will give you enough money.

One way that you can help people in need is that you can help fix their fountain if it’s not working. You can even help with their TV. If they need some help you can build something like a robot that has everything you needs for cleaning, cooking and fun. But if you want, you can help them by yourself.

A final one is that you have test subjects. Your test subjects can be paper, money, apple, fruits are all test subjects. Just make sure it is not animals because they are part of life. So life is easy but you put it to your best, so if you fail you tried your best and you can do it again.

What I Want To Be When I Grow Up

by Marcus Ancrum

What I want to be when I grow up is an all genre dancer. The reason I would like to be an all genre dancer is because I love to dance. Also, it helps with taking stressful things off your mind.

Somethings things don’t go as planned. I originally wanted to be a photographer and an actor but I decided that dancing and acting wads my thing. I apparently focused more on dancing because I had more opportunities like getting accepted at Alvin Ailey CAS dance camp. I was really thankful because I did not have any opportunities for acting or photography.

Being a dancer is not an easy task because you have to stay fit and be active. They also might have to perform for people and practice a lot. That’s why it’s no easy job. They also can get major deals like being in celebrity’s music videos or maybe even a concert. There are pros and cons to being a dancer.

There are not that many males in the dancing industry, I want to be one of those men dancing and making my dreams come true. The legacy of male dancers must continue. In the next couple of years there will be a decent amount of male dancers in this industry. Also I want to make an example for others that want to be dancers.

To conclude, if you have a dream chose it, believe it, try hard to succeed in it. Never give up because I bet one day your dream will come true. Trust and believe.

When I Grow Up I Want To Be President Of Dominican Republic

by Roger Trinidad

When I grow up I want to be President of Dominican Republic because I want to end poverty and corruption. I want to make my country a good place for citizens. I want the people to feel happy and proud of being Dominican and not feel embarrassed of being Dominican.

What I Want To Be When I Grow Up?

by Victoria Darko

What I want to be when I grow up? Hmm. Very hard question considering I only have experience with eating McDonald’s.

First, I kind of only have like three in mind. The first is a fashion designer (with my own company). Second is a cartoon animator. Lastly is a photographer.

I kinda like drawing, and I think I am pretty good at it. Like on my free time I like doodling. That’s why I want to be a cartoon animator.

The reason I want to be a fashion designer is cause I am crafty and have a very good fashion sense. Also when I make something it is unique and special. As I said before I am good at drawing so that will help designing it.

Lastly, the reason I want to be a photographer is because I like looking at the world in different ways. It kinda weird that I want to be a photographer since I don’t like taking pictures.

Anyways… this is what I want to be when I grow up. ☺

Photo Credits: Marjorie Cutler Sanchez, Sarah Prawl

The man most responsible for causing us to examine what we put onto our plates and into our mouths with his blockbuster Omnivore’s Dilemma is at it again, this time with a book titled Cooked. My copy arrived last week. I love how he once again uncovers fundamental truths that have somehow gotten lost in our postmodern shuffle — hidden-in-plain-sight, simple, logical truths. Just as he peeled back the layers on processed food and industrial farming, this time he engages in the ancient, timeless, and indispensable ritual of cooking.

It is almost ironic that the most eloquent spokesman for the food policy movement was not as he might be imagined — skilled in the kitchen, whipping up all sorts of healthful and delicious meals with confidence — and more significantly — with passion. Not the case, Pollan honestly states in the powerful opening to this new book: “the mildness of my interest in cooking surprises me since my interest in every other link of the food chain had been so keen” (p. 2). Pollan discovers the magic of the cooking process on a personal level but clearly connects it to his search; “….for years I had been trying to determine… what is the most important thing an ordinary person can do to help reform the American food system, to make it healthier and more sustainable?” (p. 1). In this book, Pollan states that cooking is “one of the most interesting and worthwhile things we humans do,” transforming our lives (p. 11). “I learned far more than I ever expected to about the nature of work, the meaning of health, about tradition and ritual self-reliance and community, the rhythms of everyday life, and the supreme satisfaction of producing something I previously could only have imagined consuming…” (p. 12).

In 2006 we established The Sylvia Center for the purpose of connecting a young and vulnerable population of children to a lifeline that could potentially help shape their lives for the better. We would teach them about cooking delicious, healthy food — in season when possible — in a fun and socially engaging environment. A brainstorming session early on created the mission tagline: “Inspiring children to eat well.” Obesity and other diet-related diseases were on our mind, but we knew that to make a change, we would have to involve our young students in a positive and socially engaging program.

We started at Katchkie Farm, where The Sylvia Center team carved out a one-acre children’s garden in the heart of the farm. As children arrived at the farm, they would explore the wide, rainbow-shaped kid-friendly rows, nibbling greens, flowers, weeds, and veggies they never imagined existed. They would plant and harvest before moving to the next activity — chopping together and preparing a meal they would share as a community at the picnic tables adorned with field flowers.

Did we know for sure that if we connected these young eaters to food in a new and slightly radical way, that they might start to think differently about what they were eating? Yes and no — but we believed that on that day, as they experienced a farm along with some vegetables for the first time, that we were “planting seeds.”

And as the program expanded to NYC and we started working in various community centers within the New York City Housing Authority, the effect was equally powerful. There is unexpected joy in being able to transform a raw food product into something delicious. Cooking is a critical skill that grows with time and provides the ability to care for oneself or a family. It is independence from poor food choices and from the world of absolutely unhealthy processed food. It is a connection to great flavors and bridges the disconnect from remote celebrity chefs by making it real and attainable.

So, here we are, working for over seven years with the clear belief that our culinary-based program would positively influence food choices and health outcomes. As funders and potential donors looked at our work, their requests for metrics that connect the work to our stated outcome were amplified. The analysis is happening as we speak.

This is where Michael Pollan steps in. As Michelle Obama did with her White House Garden and Let’s Move campaign, sometimes it takes someone of great stature to galvanize support for something that is in fact not complicated and even obvious. Plant a garden, engage in physical activity — see how things can change. Cook a meal with children — offer them wonderful fresh foods — and see if they don’t respond positively, refilling their plates.

Back to Michael Pollan — “The shared meal is no small thing. It is a foundation of family life, the place where our children learn the art of conversation and acquire the habits of civilization” (p. 8 of Cooked). As a culture, we have lost our way to the kitchen, distracted by hard days at work, and seduced by the myriad of options from fast food to alluring restaurants and easy frozen or prepared supermarket options. But when we find the joy, taste, and beauty of cooking in the kitchen, something wonderful happens.

Thank you, Michael, for “Pollan-ating” our program. We take this as an affirmation that we are on the right path and are thrilled that we share the joy and benefits of cooking with you.

See you in the kitchen!

-Liz Neumark

I love food — being around it, cooking and eating it, sharing and learning about it — and most meaningfully, making sure that the bounty and access I have is also available to others.

I was at the National Food Policy Conference, sponsored by the Consumer Federation of America, in DC last week. Attendees included individuals from government agencies, the food industry, academia, public interest organizations, various nonprofits, nutritionists, activists, PR companies — all interested in key food policy issues. As we sat for two days, listening to speakers and panelists on controversial topics facing consumers, manufacturers, producers, and government, the urgency and complexity of food policy issues multiplied, exacerbated by a fiscal crisis, political inertia, and special interest lobbying. There is a lot to think about, there is a lot to worry about and there is so much to do.

Over the past several months, I have attended a handful of food policy events, from TedxManhattan‘s “Changing the Way We Eat” to Just Food‘s “Eat-Work-Grow the Movement” Conference to the Laurie M. Tisch Center for Food, Education & Policy’s “Bringing Policy to the Table: New Food Strategies for a Healthier Society.” And there are more gatherings and conversations weekly across a wide range of institutions and organizations across the country, too numerous to list. With each conversation, I learn more and go deeper into topics I am already familiar with. Here are the top hot topics from my perspective, inspired by the DC conference and on agendas everywhere.

1. How safe is our food? How does the FDA monitor domestic food products (as well as what comes into the U.S. food system from other countries?) What about the additives food companies use in processed food under the GRAS provision (Generally Recognized As Safe) since 1958 — a provision intended for common food ingredients, now used to categorize close to 10,000 food additives, 3,000 of which have not been tested by the FDA’s own admission. Tom Neltner, the director of the Food Additives Project in The Pew Health Group at The Pew Charitable Trusts, shared research on testing guidelines. Another concern is the labeling of genetically modified organisms (GMOs) in our food; in the U.S., food companies are not required to list GMO or genetically engineered (GE) foods. Along these same lines, the use of antibiotics in the animals we eat is a growing concern. Other critical issues around animal welfare standards continue to emerge and challenge our system where meat is artificially cheap, the externalized cost borne via environmental and health bills we all pay. Individual state-level laws that prohibit (and in fact criminalize) undercover reporting of factory farming of animals — the “Ag Gag” — are troubling, to say the least.

2. Food Waste — NRDC released figures estimating food waste to be 30-40 percent of what travels from farm to fork through the U.S. food system. The EPA estimates this to be over 65 billion pounds of food a year, a large portion from household waste. The implications of this figure range from tangible quantities of food which could be used to fight hunger; the impact of wasted food production and our limited natural resources as agriculture and food production can be extremely energy and water-intensive; and food waste is a major component of our landfills. Food waste could be diverted into productive use through composting. The UN has launched an anti-food waste initiative, thinkeatsave.org, underscoring the global importance of immediate action.

3. Hunger and Food Insecurity — according to the USDA, in 2012, 1 in 4 Americans participated in a government food or nutrition assistance program. Their research shows that 68 percent of food-insecure families contain at least one full-time working adult. Most food stamp/SNAP beneficiaries are children, seniors, working parents, and people with disabilities. A signature of our times, the prevalence of hunger with obesity, is in part the result of lack of access to healthy foods in many low-income communities and the predominance of cheap, unhealthy calories. Other contributing factors, such as lifestyle, unemployment, and healthcare, are part of a complex web of social conditions, with food being a key component. It must be unacceptable to all of us that in the richest country in the history of the world, families strategically plan for days when family members will not eat because they have no food.

4. Immigration Reform — how the lack of policy affects agricultural workers and farmers with a cascade of issues from decent working conditions and fair wages for migrant and undocumented farmworkers to the ability of farmers to hire steady and authorized workers. In the U.S., we underestimate how important the immigrant contribution is to our food system.

5. Farm Bill legislation — from subsidies to the largest growers to the impact on key nutrition program funding, the Farm Bill touches vast swaths of American lives in ways most of us don’t know. Polls show that many Americans favor reducing subsidy payments to the largest farmers, and at the same time want to continue to pay for programs funding local as well as international anti-hunger relief efforts. Congress did not succeed in passing a new farm bill in 2012 and extended the 2008 bill for nine months.

6. Impact of climate change on our food supply — the extreme weather patterns affecting farm communities, from droughts, flooding, temperature extremes, and other uncontrollable conditions. Every conversation about agriculture now includes provisions for thinking about an altered landscape.

7. The impact of reduced resources on regulation, legislation, and change — what does the current economic climate hold for food policy issues? Think about this — the poultry industry has grown four-fold since the Reagan era, yet the inspection budget has not. Looking ahead, the poultry industry will potentially self-regulate. Currently, government inspectors look at 140 birds/minute. Under proposed changes, poultry industry inspectors will look at 175/minute, leaving 1/3 of a second for each bird to be inspected. This will save the government about $90 million over 3 years. Self-regulating industry — what an optimistic concept.

This is a partial list — a mini “menu” of the myriad of issues categorized as the food policy agenda. I return to my day job as CEO of Great Performances, where we feed the most privileged New Yorkers daily, with new determination to make every meal we cook help fuel an agenda that demands accountability for what is in the food we serve and who is missing at the table.

Liz Neumark

By Liron David, Founder of Eventique

Stevie Wonder, The Supremes, D’Angelo & Erykah Badu, just to name a few of the Motown greats. Who wouldn’t jump at the opportunity to be a part of the former CEO of Motown’s records 50th birthday?

For this special event, we decided to start with a blank canvas – an empty, white New York City gallery space. The party began with an intimate dinner party on the second floor for an A-list crowd of guests including Stevie Wonder, Al Sharpton, and Joe. We built a custom table to provide seating for the 20 guests using contemporary ghost furniture and covered the table with a lush variety of flowers bringing pops of color into the room. As for food, Great Performances set the tone of the evening with a palette of delectable foods fit for music royalty.

A sampling of the menu-

Hors D’Oeuvres:

  • Grilled Chicken Taco with Radish Escabeche and Chili Crema
  • BBQ Short Ribs with Roasted Poblano on Stone Ground Grit Cake
  • Caviar Beggar’s Purse with Sake-Cured Lemon Wheels
  • Cherry Tomato Wrapped in Mozzarella with Pine Nuts, Capers and Katchkie Farm Pesto
  • Peruvian Potato Cup with Truffled Comte Fondue
  • Portobello Cannoli with Parmigiano Reggiano and Chives

First Course:

  • Beet Ravioli with Westfield Farm Goat Cheese, Pickled Greens, and Mezze Arugula

Entrée:

  • Sirloin and Short Rib Duo with Polenta, Crispy Kale, Bordelaise Sauce

Dessert:

  • 5 Texture Chocolate Cake with Milk Chocolate Mousse and Chocolate Macaron

After dinner, 100 guests joined the festivities for a cocktail party on the main gallery level. To welcome these guests we transformed the downstairs space into a posh lounge. We brought in large, illuminated flower-pot tables; hung framed photos of the guest of honor and his friends on the wall; and set up a stunning illuminated bar where the guests congregated. For entertainment, there was DJ D-Nice spinning classic R&B hits behind a floor to the ceiling glass wall. Behind DJ D-Nice, was a 20-foot waterfall splashing into a small pond we filled with dry ice to create a layer of smoke. Red & purple colors filled the room through lighting and the guest of the honors name was projected on the center of the main wall.

Stevie Wonder ended the night by giving a wonderful speech and breaking out into his hit song “Happy Birthday” that summed up the night so perfectly it was as if he wrote it just for this occasion:

“To show just how much we love you, and I’m sure you would agree, it couldn’t fit more perfectly than to have a world party on the day you came to be.”

At Great Performances, I meet brides weekly in the context of creating delicious and creative catering experiences. It is very rewarding to become a part of the family as the detailed planning progresses over the swiftly passing months. Hospitality and celebrating over a festive meal and toasts are the glue that binds, hopefully for a lifetime, and leaves me with the feeling that “I married them.” But nothing prepared me for the overwhelming responsibility of being an actual wedding officiant.

How do you get certified to officiate a wedding?

 

It first came up about a year ago when a close friend and his fiancé asked if I would perform their wedding ceremony. They didn’t want a religious ceremony and an anonymous officiant was not appealing either. I said yes. What are the next steps? To the Internet, where I applied to the Universal Life Church, and within a few weeks my certificate of ordination arrived. That is only step one. Next stop, 141 Worth Street, to register with the clerk at the New York City department of marriage licenses. Paperwork, $15, and presentation of my ordination certificate, and I was enrolled in the giant book of ministers/officiants. In an office filled with excited couples accompanied by their friends and families, no one was more thrilled than I was.

My friends ended up not getting married this fall. A month before the big day, things changed and the wedding was called off. Back to catering weddings and waiting for another opportunity.

I got another chance this spring when my colleague Matt and his fiancée Lea asked if I would officiate along with our mutual friend Marcy Blum. We were both pivotal in encouraging their relationship (me on his side, Marcy on hers). The certificate was gathering dust and I jumped at the chance to exercise my marriage officiant skills. I asked Matt and Lea to meet with me to talk about the ceremony we would create together. I wanted them to take the time to express their personal feelings about what this giant step — marriage — meant to them. I confess it was a serious moment for all of us, as it well should be. I am married since 1986, so I know the joys and the challenges of what it takes to make a relationship work. I wanted to know that they “had the stuff,” as my Grandma Nelly used to say.

Lea and Matt had their homework — to write the story of how they fell in love and then to craft their individual vows. This would comprise the ceremony along with a welcome greeting from me. More thinking — what does one say when officiating a marriage ceremony? I would not evoke a religious theme, or talk about the sanctity of marriage. I woke at 3:00 a.m. a few nights before the wedding feeling inspired — I would speak from experience, sharing with the intimate group of gathered guests the many reasons “we” marry.

The big day arrived. Not surprisingly, I felt very responsible and focused. We gathered in a tight circle. I read my thoughts and Marcy shared hers, peppered with her signature humor in contrast to my seriousness. And as it should be — the spotlight was on the bride and groom. Below are their vows, heartfelt and individual. The grand finale consisted of us, the officiants, saying the time-honored phrase “By the powers vested in us by the City of New York, we pronounce you Wife and Husband!”

Who’s next?

Matt to his bride:

Lea, I could go on forever, I really loved sitting down to write this; to look back on who we were, who we are, how we got here and why we are here tonight…

I want nothing more than to spend the rest of my life with you, filling a library of our books, our children, our successes, our failures, our dreams, our lives.

To my dying day I promise:

To encourage your compassion

Because that is what makes you unique and wonderful

I promise to nurture your dreams

Because through them your soul shines

I promise to help shoulder our challenges

For there is nothing we cannot face if we stand together

I promise to be your partner in all things

I promise to you perfect love and perfect trust

For one lifetime with you could never be enough

This is my sacred vow to you, the love of my life.

Lea to her groom:

Matthew, I want to promise here today, that I will be your true partner in life, in every sense of the word.

partner by definition:

From the archaic: one that shares: partaker. I promise to always share with you, my hopes, my dreams, my fears. I promise to always be a present partaker in your life, experiencing with you the good, the bad and the yet unknown.

One associated with another especially in an action: associate, colleague. I promise to be your colleague in this very tricky, very complicated business we call life.

Either of two persons who dance together. I promise to always be your disco queen, even when we can’t hear the music.

One of two or more persons who play together in a game against an opposing side. I promise that we will always play, that I will always keep a young heart and we will laugh often.

A person with whom one shares an intimate relationship. I promise to never forget how important the human touch is.

One of the heavy timbers that strengthen a ship’s deck to support a mast. I promise I will use all my strength in your times of need, so that you are able to raise your mast and carry on.

It was out to Las Vegas late Friday to join an elite and interesting group of top caterers for a day of roundtable conversations. The group is comprised of heads of leading companies, generally one from every major U.S. city, and meets bi-annually to discuss industry issues and share best practices in a non-competitive, collegial forum. This gathering was set against the backdrop of Sin City, the most startling, bizarre, and artificial landscape on the continent.

I have been to Las Vegas several times, always for business, and never longer than two or more days. Though the distant mountain range is visible and alluring, I have never had the time to escape the Strip and discover the beauty of the West. Until yesterday.

Halfway through the morning meeting session, my colleague Kevin (on assignment for Great Performances in Miami as our purchasing director for the Sony Open Tournament) checks in via text message with a link to the Las Vegas farmers market. Farmers market? Oddly, I had queried my catering colleagues about that exact subject a few hours earlier with the response of rolled eyeballs and mild disinterest. But leave it to Kevin Konopka, the Sherlock Holmes of fresh food, to find a green oasis 20 minutes away. Professional development would have to wait, I had a mission; visit a different Las Vegas and get my Saturday green fix at the same time.

More disbelief when I gave the hotel doorman my destination — the whereabouts of the Tivoli Market was not a FAQ — and he gently suggested I go to the nearest Whole Foods. I persevered and found myself in the front seat of a taxi with driver Kubrom, an Eritrea native transplanted to the Vegas desert seven years ago. With a fluent command of English, it was an excellent journey. Kubrom is married to an American-Eritrean woman, has three sons under the age of six, works hard, and loves Nevada. In the open spaces near the mountains, he runs and bikes. I think our food culture is a mystery to him, but so was my quest for the farmers market — a trip he had never made in all his years in Vegas.

Twenty minutes later, we arrived in another man-made oasis on the outskirts of town — an eclectic architectural mash-up of western-meets-Italian-fantasy-structures-com-shopping-center whose narrow streets harbored familiar white pop-up tents with farm banners. We parked and Kubrom asked to accompany me rather than wait in the car. Off we went.

By now you are also wondering — what could possibly populate a farmers market in Vegas? There’s no water, no farms, no green. This is what I found. First of all, Las Vegas and the state of Nevada boast a vibrant agricultural community: nevadagrown.com and fresh52.com. There are dozens of farms and a wide range of seasonal vegetables and markets in many cities; seven in Vegas alone on rotating days.

The first tent was admittedly not from Nevada (but then again in NYC Greenmarket, we have New Jersey, Connecticut, and Pennsylvania farmers) and had a dazzling selection of citrus — I bought two bags worth of clementines and tangerines. On to another California grower with asparagus! My first “local” asparagus crop for 2013 –I loaded up. Avocados, lettuce, collards, kale, broccoli, cauliflower, beets with field fresh tops, radishes, green onions — a sight for sore eyes that have grown very weary of faithful root vegetables. There were local growers of micro-greens and producers of value-added foods, herb farmers (herbsbydiane.com and bloomindesertherbs.com), and beekeepers.

We sampled salsa, pesto, pomegranate juice, and other local specialties. We swooned (well, I swooned) over giant fresh sweet strawberries that didn’t have a 1,500-mile travel ticket on them. At each tent, Kubrom kindly offered to carry the produce bag — we made a good team. And so we shopped the market from end to end with infectious enthusiasm, sharing stories about food and cooking. Dried jalapeños for farmer Bob, beef jerky for the chefs at GP, herbal soap for me.

When at home, I photograph my weekly market haul as a snapshot of the season — and in the parking lot under the Nevada sun, we arranged the produce on the hood of the taxi. Camera, fruits, action! Then back to the Strip, the meeting, the fast-food joints, and fabulous foodies. I split the fresh goodies into a small bag for me and the rest for Kubrom. I think he was a little speechless but managed to express that this was an unprecedented experience for him. It was for me, too.

A mission statement from Nevada Cowboy Trail Farms:

  • To benefit people by giving direct healthful food assistance to families in need.
  • To help the community by educating families on how to grow local and healthy food in the desert.
  • To show families how to improve their quality of life with healthy low-cost sources of food in their homes.

The International Restaurant and Foodservice Show of New York rolls into town every March with a vast array of vendors and displays. From kitchen equipment to software, ice cream to state-of-the-art doggie bags, you will find it here. My favorite section is one that has been steadily growing – The Pride of New York. From a paltry lineup of jam and pickles several years ago – to now a robust gathering of producers featuring a sophisticated assortment of New York State products, this is where you want to be to nibble on amazing spelt rolls (Orwasher’s using local grain), sip sour cherry juice (Red Jacket Orchards), indulge in hard cider (Breezy Hill Orchard), sample outstanding pickled veggies (Rick’s Picks), smear some sensational jam on toast (Beth’s Farm Kitchen, Katchkie Farm Tomato Jam), dip into artisanal ketchup (Sir Kensington’s Gourmet Scooping Ketchup, Katchkie Ketchup) or try a tidbit of local meat. It is a true celebration of the breadth, depth, and bounty of our state.

The explosion of interest in locally grown products is a boon for farmers and small businesses and is ushering in a new breed of entrepreneurs as well – aggregators creating hubs for collection, production, and distribution in diverse geographic regions of the state. Farm to City Expo- Growing the Local Food Economy: Trends, Infrastructure, and Purchasing convened on Monday during the show, co-sponsored by Speaker Christine Quinn’s officeEmpire State Development, and NYS Dept. of Agriculture and Markets. Now that is a power lineup promoting our local food system. This was a day of positive economic indicators, highlighted by President, CEO, and Commissioner of ESD Kenneth Adams’ presentation of successful state initiatives around food:

1. Fresh Connect: increasing the sale of locally grown food across the state with a particular focus on underserved communities and providing support and training for farmers. In the launch year 2011 alone, over 100 farmers were connected to market outlets.
2. Food Hubs: providing $3.6 million to 10 regional councils across the state for innovative “centers” that promulgate collection, processing, and distribution of locally grown products. New projects include Hudson Valley Harvest and J. King’s Agriculture Enterprise Park.
3. The success of the first New York State Yogurt Summit: NY State has gone from producing $150 million to $1.8 billion in yogurt and from 14 to 29 processing plants.
4. Wine, Beer, and Spirits Summit: a $22 billion industry, now fast-tracked for “one-stop-shop” of government regulations, licensing, and other requirements – a move lauded by growers and the New York Farm Bureau.

The 3 panels that followed each focused on a different segment of the supply/demand chain starting with infrastructure needs and wholesalers – moderated by Marcel Van Ooyen, Executive Director of GrowNYC; to institutional buyers – moderated by Karen Karp of Karp Resources; and finally, the smaller-scale food buyers closest to consumers, the restaurants. I had the honor of moderating this panel of three Brooklyn restaurateurs and one from Manhattan.

In an age of celeb chef and telegenic personalities, these individuals reminded everyone of why (and how) chefs evolve. It is, in its more inspiring moment, a calling. Chefs Cheryl Smith, George Weld, and Robert Newton grew up in homes with distinctive culinary cultures inspired by traditions and were imbued with a deep love of ingredients, cooking, and family in the kitchen. Jeffrey Zurofsky learned to cook to escape the culinary tyranny of his mom, who supported the family but did not find inspiration in the kitchen.

Each chef expressed a deep connection to local ingredients for their flavor and an appreciation for the transparency and knowing where their food came from. I learned a lot from talking to the chefs before our panel.

Chef George Weld shared his sourcing hierarchy – and we can all learn from it. At the top is the best practice to least desirable:
1. Grow it ourselves
2. Buy it organic, local from someone we know
3. Buy it locally from someone we know
4. Buy it regionally from someone we know
5. Buy it from far away, from someone we know
6. Buy it from far away, from someone we don’t know

His commitment to knowing the people who grow the ingredients he buys – be they near or far – is a core value, along with an awareness of the environmental impact of the food and exclusive purchase of humanely raised livestock. To control prices when dealing with more costly ingredients, he advises keeping recipes simple, controlling the waste, and creating menus that are easy to replicate.

Perhaps what touched me most in his approach to sourcing was his concern about doing enough to help farmers. “What about farmers without access to sophisticated and well off urban markets and shoppers?” – he worries about them.

Chef Robert Newton shared his resolute commitment to using humanely raised livestock and extending the notion of fresh food to incorporate beverages and spirits, with a hierarchy of local – regional – American to guide his selections. His connection to buying local comes with a deep respect for farmers from his childhood in Arkansas to time spent at culinary school in Vermont. Cooking in season and preserving the harvest are basic rules he embraces. Again, simplicity and a deep connection to the artistry of creating the building blocks of his meals (be it animal, produce or dairy products) guide his selections.

I learned a lot from Chef Cheryl Smith, who shared her passion for connecting her community around the table; she is actively involved with mentoring local youth about food and culinary careers. As one might expect, the hurdles facing a woman in the culinary world are steep, but what one quickly learns about Cheryl is that her drive is as strong as her passion for flavors. Her mom worked 3-4 jobs and cooked the family meals, so the next meal was always marinating. Flavors that go right through the food, not on the surface, have become her signature. Her restaurant is across the street from a Greenmarket and that is what shows up on her plates. The restaurant is a source of great pride especially at that peak moment nightly, when the clanking of pots blend perfectly with the sounds of laughter and conversation.

And Jeffrey Zurofosky (both of us serve on the GrowNYC board) was clear – the demand for local food, coupled with the increased production of local food, creates a virtuous cycle. What is an outstanding accomplishment is the high percentage of locally sourced food he utilizes in his large volume operation – up to 30% of ingredients. He sees indirect benefits – like increased agro-tourism and economic boosts to economically depressed rural areas – as tangential benefits to supporting local production. It was delightful to hear him say that upstate farmers selling to downstairs urbanites is a form of redistribution of wealth!

And these are truly the partners for the next generation of eaters and farmers–chefs involved in their communities, clear on their food choices and committed to their principles. I may have been the moderator, but I was also the student.